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God’s Earth: Between Blessing and Curse

May 15, 2015 By Arnold M. Eisen | Commentary | Behar | Behukkotai

Here is Leviticus—in many ways the most intimate of the Torah’s five books, because it usually meets us frail, mortal, human beings where we live, in our skins and with our families, in private spaces of home and tabernacle—instructing us as a society, as a species, that divine blessings of rain and sun will turn to curses if we do not do our part in stewarding God’s earth properly. The text insists that a fateful choice is in our hands. And it seems far from confident that we will make the choice wisely.

A Little Black Mark

May 15, 2015 By Rachel Bovitz | Commentary | Behar | Behukkotai

In his autobiography, Benjamin Franklin describes a personal practice that involved daily focus on 13 moral virtues. Franklin’s memoir, translated into several languages in the late 18th century, became widely influential, reaching even Eastern Europe, where Rabbi Menahem Mendel Lefin of Satanov wrote Heshbon Hanefesh, published in 1808. Rabbi Lefin included justice and most of the other virtues in Franklin’s list when he created his 13 primary middot (moral virtues) to be focused upon in mussar practice (the Jewish approach to cultivating these virtues). Rabbi Lefin’s definition of tzedek (justice) paraphrases a classic Talmudic teaching attributed to Hillel: “What is hateful to you, do not do to your neighbor.”

The Rigors of Leadership

May 8, 2015 By Matthew Berkowitz | Commentary | Emor

In the wake of violent religious extremism that plagues our world today, why are some religious leaders not expressing their opposition to bloodshed in the name of God? By turning a blind eye and silencing their voices, religious leaders tacitly give their approval to the violence—both tarnishing their reputation as leaders and diminishing God’s presence in this world. Leadership, especially religious leadership, demands scrupulousness and accountability.

Bodies and Their Critics

May 8, 2015 By JTS Alumni | Commentary | Emor

By Yonah Kirschner (DS ’15)

Cassey Ho, a fitness blogger, recently posted a video she created in response to the many body-shaming comments she was receiving from critics online. The video went viral. It first shows Cassey, clearly athletic and healthy, walk over to a mirror, smiling happily. But as the video progresses, a barrage of unpleasant social media comments appear. Cassey’s hand then becomes an image-editing tool, and we watch as Cassey, now humiliated, sadly scrapes away parts of her body. The dejection communicated by the music and her facial expressions makes it a powerful experience for the viewer, difficult to watch as she mutilates her body into a caricature of the “perfect” body.

A Holy Tongue: Kedushah and the Ethics of Speech

May 1, 2015 By Marc Gary | Commentary | Aharei Mot | Kedoshim

A few years ago, my wife and I attended a retreat at Camp Ramah Darom in northern Georgia. The scholar-in-residence for the Shabbat was Rabbi Joseph Telushkin, a widely respected author of popular books on Jewish literacy and Jewish ethics. He suggested that all of us in attendance—approximately 100 adults—commit to one of the most difficult challenges we had ever faced: refrain from talking about other people for the duration of Shabbat. That is to say, for an entire day, we should speak not a word of gossip. I will not tell you whether we succeeded or failed in that challenge, but I will tell you that it was a very long 25 hours indeed.

The Saint and the Zohar

May 1, 2015 By Vivian B. Mann <em>z”l</em> | Commentary | Aharei Mot | Kedoshim

We often think of Jewish life in Spain in terms of the massacres of 1391 and the Spanish Expulsion in 1492. But the art made for the Church between those two dates presents a more nuanced view of Christian–Jewish relations.

Outside the Camp

Apr 24, 2015 By Julia Andelman | Commentary | Metzora | Tazria

The double parashah of Tazria-Metzora ranks at the top of the list of parshiyot to avoid for a bar or bat mitzvah. Its detailed lists of bodily ailments—rashes, colorations, emissions, and secretions—associated with ritual impurity are not the stuff of religious inspiration in contemporary times. I confess to having once colluded with congregants to subtly move the date of their daughter’s bat mitzvah celebration slightly further away from her Hebrew birthday, in order to provide her with a more palatable Torah reading to chant and speak about than Tazria-Metzora. But this year—the year of #BlackLivesMatter—has caused me to read Tazria-Metzora through a new and painfully relevant lens.

Deeper Than the Skin

Apr 24, 2015 By Yitzhak Lewis | Commentary | Metzora | Tazria

Your body is a map of roads
To be taken,
And not taken
Alone.

Your skin enfolds what
Your eyes shut behind them,

All your past is bored into it
Every day with the awl of time.

The Liberated Bird: Let’s Talk Turkey

Apr 17, 2015 By Anne Lapidus Lerner | Commentary | Shemini

The main course at my Thanksgiving dinner—and perhaps at yours as well—is determined by a few verses in this week’s parashah, Shemini. After all, Leviticus 11 defines which living things are fit for kosher consumption, granting it a major impact on the Thanksgiving menu of kosher aviavores.

An Offering of Love

Apr 15, 2015 By Alisa Braun | Commentary | Shemini

What does a feminist reworking of Leviticus 10 sound like? The Indigo Girls song “Strange Fire” (1987) beautifully illustrates how biblical images and stories weave their way into our lives and the art we create. The song exemplifies their signature style: a second-wave feminist message wrapped in a spare acoustic sound, strong rhythms, and soft harmonies. The lyrics allude to the actions of Aaron’s sons as a way of critiquing those within organized religion who wield power and seek to silence voices of personal spiritual expression.

Miriam’s Song and the Role of Music in Prayer

Apr 10, 2015 By Walter Herzberg | Commentary | Pesah

After the sea was parted and the Israelites were rescued from the pursuing Egyptians, Moses and the children of Israel sang the Song of the Sea, praising God for having saved them. Following the conclusion of the song, the Torah relates that Miriam, leading the women, sang as well. What prompted Miriam and the women to rejoice with song, instrumental music and dance?

“I Will Go to the Mountain of Myrrh”

Apr 10, 2015 By Barbara Mann | Commentary | Pesah

The Song of Songs is an essential text for modern Hebrew culture, and was perhaps the most beloved biblical book of modernist authors such as S. Y. Agnon and artists such as Ze’ev Raban (1890–1970). Hebrew fiction writers and poets in Palestine in the interwar period plumbed the Song for its extensive lexicon describing the body and the landscape, and its sensitive depiction of psychological and sexual drama. Their modern descriptions of the land before them were often rendered in terms that recalled the erotic interiors and pastoral domain of the Song. Raban taught at the Bezalel Academy of Arts and Design in Jerusalem, and his Jugendstil (German Art Nouveau) illustrations of the Song of Songs (1923) are an exemplary cultural product of their time.

The Telling

Apr 2, 2015 By David Hoffman | Commentary | Pesah

This Friday evening we will gather with family and friends. We will sit down to beautifully set tables, and each of us will open one of the most popular and well-known of Hebrew books—the Haggadah. The name of the book comes from the Hebrew verb lehagid (“to tell”), and if we were to translate “haggadah” into English, it would be “the telling.” Not surprisingly, the core of the Haggadah is the section called maggid, a word that also derives from the Hebrew root meaning “to tell.” Clearly these two forms of the verb lehagid communicate the centrality of the activity of “telling” on this night. But here things become less clear.

“Echad Mi Yodea” (“Who Knows One?”)

Apr 2, 2015 By Sarah Diamant | Commentary | Pesah

“Echad Mi Yodea” is a traditional cumulative-number song found in the Haggadah. Each verse circles back to the Oneness of God.

The Four Parents

Mar 27, 2015 By Arnold M. Eisen | Commentary | Shabbat Hagadol | Pesah

Let’s think for a moment, inspired by one of the seder’s most famous passages, about the four kinds of parents who are found around the seder table: wise, wicked, innocent, and not knowing how to ask.

Restoration

Mar 27, 2015 By Craig Scheff | Commentary | Shabbat Hagadol | Tzav

“What is certain is that you love bringing things back to life. It is a wonderful feeling to identify the undermining factors, eradicate them, and restore something to its true glory.”

Strengthsfinder 2.0 is a popular assessment tool for identifying and applying an individual’s strengths. The book is based on the premise that we should spend more time in our professional lives building upon our strengths than trying to overcome our weaknesses. The quote above refers to the person who possesses the “restorative” talent, the ability to resuscitate and rekindle the vitality of relationships.

Crackers for God

Mar 16, 2015 By William Friedman | Commentary | Shabbat Hahodesh | Vayikra | Pesah

What kind of gift would you give a king? In the interests of both respect and self-preservation, probably the nicest thing you could afford! And if you’d give this to a human king, how much more would you give to the King of Kings of Kings? And yet the Torah prescribes that any grain offered in the Temple cannot contain either yeast or honey. That’s right: the only appropriate grain offering for God is matzah—the tasteless cracker that is about to become the source of so much complaining on Passover! Why would the Torah tell us to do such a thing?

The Artist’s Insight

Mar 13, 2015 By Lilly Kaufman | Commentary | Pekudei | Vayak-hel

From October of last year until mid-February, the Museum of Modern Art in New York City, in collaboration with Tate Modern in London, featured a comprehensive exhibition entitled Henri Matisse: The Cut-Outs. It was a reassessment of Matisse’s colored paper cut-outs, which, according to the program notes, “reflect…a renewed commitment to form and color, and . . . inventiveness”. Matisse himself said, “For me, a colour is a force. My pictures are made up of four or five colours that collide with one another, and the collision gives a sense of energy.” (Sooke, Henri Matisse: A Second Life, pp. 97-98.)

Nediv Lev

Mar 13, 2015 By Michael R. Boino | Commentary | Pekudei | Vayak-hel

We often think of love as something comfortable, something comforting. The truth is, it can be the exact opposite. True, unbounded love from another source can cause us to confront parts of ourselves with which we are uncomfortable: our vulnerability, our self image, our passive role as the recipient of care rather than as a caregiver.