Zakhor in a Fractured Age

Zakhor in a Fractured Age

Feb 27, 2026 By Sandra Fox | Commentary | Shabbat Zakhor | Tetzavveh

“Could you have chosen a more loaded week?” said my husband with a face that can only be described as both bemused and pitying when I told him that I had agreed to write my first JTS Torah Commentary on Shabbat Zakhor. As the heaviness of the reading sank in, with its commandment to recall Amalek’s unprovoked attack on the Israelites and to “blot out” Amalek’s memory, I became apprehensive.

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A Symbol of Peace

A Symbol of Peace

Feb 20, 2026 By Daniel Nevins | Commentary | Terumah

The Arch of Titus in Rome is simultaneously one of the saddest and most exciting places for a Jew to stand. It is but a short distance from the Colosseum, the stadium made famous by its cruel sports, built with money plundered from the Jerusalem Temple in 70 CE. Titus’s Arch celebrates the destruction of our Temple, a building designated by Isaiah to be a house of prayer for all nations. A bas-relief sculpture on the arch’s inner walls depicts a sickening scene: the triumphant display of the Temple’s sacred objects, the Menorah most prominent among them, along with a pathetic procession of enslaved Jews.

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On Moses’ “Saying” and “Telling”

On Moses’ “Saying” and “Telling”

Feb 6, 2026 By Alan Cooper | Commentary | Yitro

The highlight of Parashat Yitro is undoubtedly the spectacular son et lumière at Sinai, accompanying the uniquely unmediated revelation of God’s “words” (the 10 Commandments) directly to the people. The gravity of the occasion demanded special preparation, and most of Exodus 19 is devoted to that preparation…

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When Prayer is Not Enough

When Prayer is Not Enough

Jan 30, 2026 By Cantor Rabbi Shoshi Levin Goldberg | Commentary | Beshallah

You may know this joke: a man is drowning in the ocean and several people with boats come to rescue him. He responds to each of them, “No, thank you. I’ve been praying, and God will save me.” When the man arrives in heaven, angry with God, God asks him, “Why didn’t you get on the boats I sent?” 

Prayer is rarely enough. Jewish leaders are acutely aware of this reality today. Cantors, in particular, know that there is far more to our jobs than leading prayer.

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Where We Stand is What We Learn

Where We Stand is What We Learn

Jan 23, 2026 By Luciana Pajecki Lederman | Commentary | Bo

As a Talmud teacher, I am constantly aware of the dynamic web of relationships in which learning takes place—between me, the students, and the text we explore together—each quietly and continually shaping the relationship between the others. But as Director of the Beit Midrash, I am especially attuned to the role of the surrounding environment: how the space itself can either nurture or inhibit those relationships.

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Words Fail Me

Words Fail Me

Jan 16, 2026 By Jan Uhrbach | Commentary | Va'era

That is the way the Zohar (the foundational text of Kabbalah, Jewish mysticism) understands our exile in Egypt: as the exile of speech, a failure of words. In this reading, the breakdown of speech is both cause and effect of our enslavement, while healing and redeeming speech—finding our voice—is both the process and hallmark of redemption.

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Hearing the Cry: Miriam, Pharaoh’s Daughter, and Moral Courage

Hearing the Cry: Miriam, Pharaoh’s Daughter, and Moral Courage

Jan 9, 2026 By Naomi Kalish | Commentary | Shemot

At times of difficulty, uncertainty, and strife, I often find comfort and courage in stories, especially stories about people who connect and transform or resolve conflict. This week’s parsha, Shemot (Exodus 1:1-6:1), gives me such a story of hope in its portrayal of the relationship between two people from groups in conflict.

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Pictures at a Benediction: Envisioning Jacob’s Blessing of his Sons

Pictures at a Benediction: Envisioning Jacob’s Blessing of his Sons

Jan 2, 2026 By Eliezer B. Diamond z”l | Commentary | Vayehi

what did Jacob’s bedchamber look like when the brothers came to receive their final blessings—and curses? (Gen. 49) I have found numerous artistic renderings, but two in particular caught my attention because of how differently they paint the scene.

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