The Potential of Tiny Things
Dec 27, 1997 By Joseph Lukinsky (<em>z”l</em>) | Commentary | Miketz | Hanukkah
Every time you eat a latke or a sufganiah (jelly doughnut in Israel) during Hanukkah, you are reenacting the miracle of the cruse of oil that the Maccabees found when they struggled to rededicate the Temple. There was only enough oil for one day, but it lasted for eight! A little oil goes a long way!
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The Burden of Peoplehood
Dec 4, 1994 By Ismar Schorsch | Commentary | Miketz | Hanukkah
Sold into slavery at the age of 17, Joseph attained the post of vizier of Egypt by the time he was 30. That would have been a remarkable feat by a native; for a foreigner, it simply boggles the mind. Only Pharaoh stood between him and absolute power. Joseph had deciphered Pharaoh’s premonition of catastrophe and urged decisive action on a national scale. And Pharaoh rewarded the messenger by appointing him to carry out his own counsel. He also bestowed upon him all the trappings of power, including an arranged marriage with the daughter of an Egyptian priest.
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Varieties of Devotion
Dec 4, 2004 By Ismar Schorsch | Commentary | Vayeshev
This past week, my two-and-a-half year old granddaughter spotted me one morning davening by the window in our living room. She recognized the telltale signs of the act, my tallit and tefillin. Spontaneously, she announced her intention to daven also, took herself over to the drawer where we keep some old JTS benchers (small grace books), removed one, and proceeded to strut about with the bencher in her face. Later, I found the bencher on the floor in another room, but for a few tender moments at least, I had a precious soul mate in greeting God that morning.
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Settled and Unsettled
Dec 4, 1993 By Ismar Schorsch | Commentary | Vayeshev
The opening verse of our parasha conveys a degree of finality. “Now Jacob was settled in the land where his father had sojourned, the land of Canaan (Genesis 37:1).” His exile is over. The text depicts a man drained by unrelenting stress who has come home to die. The abuse heaped upon him by Laban, the prospect of facing Esau, the rampage of his sons against the inhabitants of Shehem, and the loss of his beloved Rachel in childbirth has left him groping for the solace and security of home.
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Miriam’s Song and the Role of Music in Prayer
Apr 10, 2015 By Walter Herzberg | Commentary | Pesah
After the sea was parted and the Israelites were rescued from the pursuing Egyptians, Moses and the children of Israel sang the Song of the Sea, praising God for having saved them. Following the conclusion of the song, the Torah relates that Miriam, leading the women, sang as well. What prompted Miriam and the women to rejoice with song, instrumental music and dance?
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The Telling
Apr 2, 2015 By David Hoffman | Commentary | Pesah
This Friday evening we will gather with family and friends. We will sit down to beautifully set tables, and each of us will open one of the most popular and well-known of Hebrew books—the Haggadah. The name of the book comes from the Hebrew verb lehagid (“to tell”), and if we were to translate “haggadah” into English, it would be “the telling.” Not surprisingly, the core of the Haggadah is the section called maggid, a word that also derives from the Hebrew root meaning “to tell.” Clearly these two forms of the verb lehagid communicate the centrality of the activity of “telling” on this night. But here things become less clear.
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Crackers for God
Mar 16, 2015 By William Friedman | Commentary | Shabbat Hahodesh | Vayikra | Pesah
What kind of gift would you give a king? In the interests of both respect and self-preservation, probably the nicest thing you could afford! And if you’d give this to a human king, how much more would you give to the King of Kings of Kings? And yet the Torah prescribes that any grain offered in the Temple cannot contain either yeast or honey. That’s right: the only appropriate grain offering for God is matzah—the tasteless cracker that is about to become the source of so much complaining on Passover! Why would the Torah tell us to do such a thing?
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The Artist’s Insight
Mar 13, 2015 By Lilly Kaufman | Commentary | Pekudei | Vayak-hel
From October of last year until mid-February, the Museum of Modern Art in New York City, in collaboration with Tate Modern in London, featured a comprehensive exhibition entitled Henri Matisse: The Cut-Outs. It was a reassessment of Matisse’s colored paper cut-outs, which, according to the program notes, “reflect…a renewed commitment to form and color, and . . . inventiveness”. Matisse himself said, “For me, a colour is a force. My pictures are made up of four or five colours that collide with one another, and the collision gives a sense of energy.” (Sooke, Henri Matisse: A Second Life, pp. 97-98.)
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