The View From Har Nebo
Sep 29, 2012 By Marc Wolf | Commentary | Ha'azinu
We cannot begin to fathom the extent of emotion that must have rushed through Moses as he faced the reality that he was not to enter the Land, but “die on the mountain” that he was about to ascend. What words were exchanged between Moses and God? What conversation is not recorded in the Torah?
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Ushpizin in the Sukkah
Oct 5, 2012 By Rabbi Ayelet Cohen | Commentary | Sukkot
By Rabbi Ayelet Cohen
Immediately on the heels of the intense spiritual work of Rosh Hashanah and Yom Kippur, Sukkot challenges us to turn our lives inside out again, this time quite literally. The Talmud tells us that for the duration of Sukkot we must leave our permanent dwellings and reside in temporary dwellings (BT Sukkah 2b). By its very nature, the sukkah must feel temporary; we must experience the elements in a way that we do not when we are at home.
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Who’s the Hero and Who’s the Villain?
Oct 10, 2012 By Richard Kalmin | Commentary | Bereishit
To state things up front, my claim is that Adam and Eve did not just undergo a fall, but also a significant rise; to make that claim, I’m going to argue that two of the main characters, the snake and God, have often been misunderstood. The snake has gotten a bum rap, and God has usually gotten off much too easily.
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Daydreaming Out the Window
Oct 17, 2012 By Abigail Treu | Commentary | Noah
The ark’s window bothered the Rabbis. It is a technical problem: in Genesis 8:6, Noah “opened the window (chalon) of the ark that he had made,” but in the very thorough account of the construction of the ark earlier in the parashah, no window was ever made. “What window?” the Rabbis wonder.
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Trusting the Journey
Oct 24, 2012 By Marc Wolf | Commentary | Lekh Lekha
Like many of the richest parts of the Torah, the opening lines of Parashat Lekh Lekha are fraught with ambiguity: “The Lord said to Abram, ‘Go forth from your native land and from your father’s house to the land that I will show you’” (Gen. 12:1).
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Prolepsis: How the Bible Tells Us the Future
Oct 31, 2012 By David Marcus | Commentary | Vayera
Regular screen watchers know that if in an opening scene the camera pans in on a detail like a dagger or a bicycle, then that detail—the dagger or the bicycle—will somehow have an important role to play later on in the movie. Known as foreshadowing, this cinematic technique has its parallel in literature in the rhetorical device known as prolepsis, which indicates a future event that is presumed to have occurred.
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The Power of Words
Nov 7, 2012 By Marc Wolf | Commentary | Hayyei Sarah
Where Sarah and Ishmael seem to fade from the scene, Abraham actively prepares for his death. The details of the burial of Sarah and finding a wife for Isaac that occupy the parashah rest in stark contrast to the death narratives of both Abraham’s wife and firstborn son.
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Finding Our Way (and God’s) in the World
Nov 13, 2012 By Daniel Nevins | Commentary | Toledot
What do you make of our matriarch Rebecca? Certainly she is the boldest and most independent of the mothers. Yet Rebecca’s strength has dreadful consequences.
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