Parts That Are Left Behind
Oct 14, 2016 By Sarah Diamant | Commentary | Ha'azinu
As we approach the end of the Torah and read Moses’s parting words, we share with you this work which was created as part of JTS’s Artist-in-Residence program, and is on display at JTS as part of the Corridors exhibition.
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Making Every Word Count
Oct 14, 2016 By Arnold M. Eisen | Commentary | Ha'azinu
Ha’azinu is remarkable in two respects: what it says, and how it chooses to say it. My focus here will be the latter, but let’s note with regard to the former that in this, his final address to the Children of Israel before a set of farewell blessings, Moses reviews all of his people’s past, present, and future. He begins by calling on the God who had called Israel into being and called him to God’s service. He reminds Israel that God has chosen them and still cares for their well-being. He prophesies that despite all that God and Moses have said and done, Israel will abandon God, as they had in the past. God will punish them, as in the past, but never to the point of utter destruction. In the end, God and Israel will reconcile.
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Dialogue with the Past
Oct 4, 2003 By Lewis Warshauer | Commentary | Ha'azinu | Shabbat Shuvah
Among all the societies where Jews have lived, America has been least conducive to maintaining a sense of the past. A building from thirty years ago can be a historic landmark; kitchenware from forty years ago qualifies as antique. Objects from the past are allowed to have a fashionable revival but ideas, stories, and concepts from the past are considered outmoded.
A World Without Teshuvah
Sep 18, 2004 By Ismar Schorsch | Commentary | Ha'azinu | Rosh Hashanah | Yom Kippur
The Torah is largely a series of legal texts set in a narrative context. It is not replete with outbursts of poetry. Our poetic sensibility seeks satisfaction elsewhere in the Tanakh – in the passion of the prophets, or the poignancy of the psalmist, or the protest of Job, or in the sensuousness of the Song of Songs. The Torah touches only some of our senses. And yet, it closes in a great poetic flourish. As Moses nears his end, he switches from didactic prose to incandescent poetry.
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On This Very Day
Sep 26, 2014 By Joel Alter | Commentary | Ha'azinu | Shabbat Shuvah | Yom Kippur
It’s difficult to overstate the pathos of Moshe’s last days. This man (and he is most assuredly a man, not a god, not a saint), who never wanted to be a leader—and after his first, impulsive attempt at leading was met with contempt from those he tried to save and condemnation from Pharaoh, his adoptive father (Exod. 2:11–15)—carried the burdens of prophetic leadership with fierce loyalty to both of his masters, God and the people.
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Teshuvah: Seeking the Hidden Face of God
Sep 26, 2014 By Matthew Berkowitz | Commentary | Ha'azinu | Shabbat Shuvah
This coming Shabbat, the Sabbath between Rosh Hashanah and Yom Kippur, is known as Shabbat Shuvah, the “Sabbath of Return.”
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The Heavens, the Poet, and the People
Sep 25, 2015 By David G. Roskies | Commentary | Ha'azinu
Between May and December 1943, the poet Yitshak Katzenelson was incarcerated with his last surviving son, Zvi, in Vittel, a German transit camp in France. There Yitshak kept a diary-cum-journal in Hebrew and completed The Song of the Slaughtered Jewish People in Yiddish, the longest epic poem to have survived the Holocaust. The pivotal ninth canto is a bold, even blasphemous, response to Parashat Ha’azinu.
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Finding God and Ourselves Anew
Sep 3, 2013 By Matthew Berkowitz | Commentary | Ha'azinu | Shabbat Shuvah | Rosh Hashanah | Yom Kippur
During the 10 days between Rosh Hashanah and Yom Kippur, we devote ourselves to the process of repentance, attempting to tip the balance in our favor as we approach the Day of Atonement.
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