Israel’s Departure

Israel’s Departure

Feb 10, 2017 By Matthew Berkowitz | Commentary | Beshallah

Rabbi Judah said to Rabbi Meir: one tribe said, “I will not be the first to go into the sea”; and another tribe said, “I will not be the first to go into the sea.” While they were standing there deliberating, Nahshon the son of Aminadav of the tribe of Judah sprang forward and was the first to go down into the sea. Because it was Nahshon who came forward, Judah obtained royal dominion in Israel: “The sea saw him and fled” (Psalm 114:3). (Mekhilta Derabbi Yishmael, Beshallah, Mas. Devayehi 5)

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Crossing the Sea Every Summer

Crossing the Sea Every Summer

Feb 10, 2017 By Jacob Cytryn | Commentary | Beshallah

As a camp director, Beshallah speaks to me in certain rather obvious ways. It is focused on the power of song—both the Song of the Sea (Exodus 15:1-18) and Deborah’s Song (Judges 5:1-31) in the haftarah—and camp is nothing if not filled with song and music. Experience, similarly, is central to the entire endeavor, especially as recounted in the Passover seder. And Beshallah also represents the birth of possibility, the beginning of an independent community. In other words, this week’s parashah encapsulates the basic work we in the camp business embark on every summer.

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Protective Paralysis

Protective Paralysis

Jan 15, 2011 By Andrew Shugerman | Commentary | Text Study | Beshallah

Have we become like Pharaoh in the midrash above: both an oppressive captor and a powerless captive of his own psychological blindness?

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Forging Faith: Persistent Human Effort Vs. Divine Miracles

Forging Faith: Persistent Human Effort Vs. Divine Miracles

Feb 3, 1996 By Ismar Schorsch | Commentary | Beshallah

The end of a story often illuminates its beginning.

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The Song at the Sea

The Song at the Sea

Jan 20, 2015 By The Jewish Theological Seminary | Commentary | Beshallah

The centerpiece of Parashat Beshallah is the Song at the Sea. The song gives this Shabbat on which it is read the name Shabbat Shirah, the Sabbath of Song. It is interesting to note that this is the first recorded instance in the Torah where praise of God is specifically sung rather than spoken. Dr. Joseph H. Hertz, the first graduate of JTS and the chief rabbi of the British Empire, wrote in his Torah commentary on Parashat Beshallah, “Whenever Israel has faith in God and in the Divine Mission of Moses, Israel sings” (The Pentateuch and Haftorahs, p. 270).

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Judaism and Linear History

Judaism and Linear History

Jan 22, 1994 By Ismar Schorsch | Commentary | Beshallah

Unlike most sabbaths of the year, this week’s bears a special name. It is called “Shabbat Shirah – the Sabbath of Song,” from “The Song at the Sea” which is recited to its own cantillation in this week’s parasha (Ex. 15:1-19). A specimen of archaic biblical poetry, the song recounts with gusto the deliverance of Israel, trapped between the Sea of Reeds and the Egyptian army, by yet another divine miracle. And thus in the middle of winter each year, the offspring of ancient Israel break forth in joyous song, as if the redemption had just occurred.

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Voices of the Past Influence the Present

Voices of the Past Influence the Present

Jan 25, 1997 By Ismar Schorsch | Commentary | Beshallah

I like to daven from old prayer books, especially those awash in personal ties. The sheen of new ones, yet unused, leaves me cold. I am helped by the knowledge that their well-worn pages often brought others great comfort. I treasure two in particular: my father’s traditional siddur from which he davened when not in shul and my great aunt’s pocket siddur printed in Frankfurt in 1939 which was by her side in her concentration camp ordeal. Whenever I daven from these siddurim, I find myself warmed by the memory of loved ones whose lives ease my own quest for religious experience and meaning.

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Empathy for the Other

Empathy for the Other

Feb 7, 1998 By Ismar Schorsch | Commentary | Beshallah | Pesah

It took God but six days to create the world; it took my mother at least twice that long to prepare for Passover. At the seder on the first night she would often doze contentedly from a mild case of exhaustion. Everything sparkled; nothing was out of place. The beauty of the table and the aromas coming from the kitchen attested to her toil and artistry. By turning ritual into a fine art, she enhanced the presence of God at our family seder.

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