Of Words and Hearts

Of Words and Hearts

Aug 11, 2012 By Samuel Barth | Commentary

“Take with you words and return to Adonai.” (K’chu imachem devarim.) —Hosea 14:3

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“My Soul Thirsts for You”

“My Soul Thirsts for You”

Jul 2, 2013 By Samuel Barth | Commentary

“My soul thirsts for You; my flesh longs for You” (Ps. 63:2).

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Psalm 27: The Days of Awe

Psalm 27: The Days of Awe

Aug 25, 2012 By Alan Cooper | Rosh Hashanah

The custom of reciting Psalm 27 during the penitential season, variously understood to entail the period from Rosh Hodesh Elul through Yom Kippur, Hoshanah Rabbah, or Shemini Atzeret, is codified in Mishnah Berurah, siman 581: “In our region it is customary to recite [Psalm 27] followed by kaddish at the conclusion of the morning and evening services every day from Rosh Hodesh Elul until Yom Kippur; we customarily recite it until Shemini Atzeret.”

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The Blessing of Monotony?

The Blessing of Monotony?

Sep 1, 2012 By Jack Chomsky | Commentary

Many people struggle with the fact that traditional Jewish prayer is a fixed entity. The words that we say, the times that we say them, are prescribed according to traditions and Jewish law. The culture in which we live, by contrast, values spontaneity and novelty. Why not pray when one feels like it, and not be forced to shoehorn one’s intellect and emotions according to the seemingly arbitrary ideas of our ancient rabbis?

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Moving Forward in Prayer, Together and Alone

Moving Forward in Prayer, Together and Alone

Sep 8, 2012 By Lisa Gelber | Commentary

Several weeks ago, I attended the West Point funeral of Major Thomas E. Kennedy, husband of my friend Kami. I’ve officiated at countless funerals and attended many others to comfort the bereaved. Although not my first military funeral, this was the first memorial for an officer I’d known personally, and my first visit to West Point.

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Melody or Discord

Melody or Discord

Jul 18, 2014 By Samuel Barth | Commentary

There is a parable that speaks of a village that once had a renowned orchestra that played beautiful music at set times in the presence of the king, bringing delight both to the musicians and their ruler, who rewarded the musicians generously for their artistry and commitment. As time passed, the original musicians grew old and their place was taken by others who were not quite so gifted, drawn perhaps by the exalted audience and generous reward.

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“How Are the Mighty [Innocent] Fallen?”

“How Are the Mighty [Innocent] Fallen?”

Jul 4, 2014 By Samuel Barth | Commentary

In the elegy of David for Saul and his beloved Jonathan, the Hebrew words “Eikh naflu gibborim” (2 Sam. 1:17) carry a wordless cry and howl of anguish not rendered by the translation “How are the mighty fallen?” Professor Francis Landy of the University of Alberta notes that the first word, Eikh, most of all, is onomatopoeic. Eikh is a primal groan, howl, or keening; it is giving sound to inner pain and desolation, a sound of agony that comes in the immediacy of loss, ripped from the heart and soul. It is a sound that comes before the poem of lament, the words that try to give form and focus to raw emotion and pain.

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Yearning: Poetry and Prayer

Yearning: Poetry and Prayer

Jun 27, 2014 By Samuel Barth | Commentary

Psalm 42 offers an extraordinary journey through the life of the soul, and perhaps it is not by chance that traces of this psalm are found in various places in the liturgy. In a previous essay, we looked a little at poetry within the liturgy, and the way in which poetry can open channels and modes of expression not so easily found in plain narrative text. Poetry offers the chance to juxtapose images and invoke diverse metaphors that can point toward a deeper, even implicit or secret, meaning.

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