A Tiny Point of Hope

A Tiny Point of Hope

Oct 17, 2012 By Matthew Berkowitz | Commentary | Noah

Unrelenting human wickedness leads to the collapse of humanity and the world.

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Windows of Light

Windows of Light

Nov 5, 2005 By Matthew Berkowitz | Commentary | Noah

Parashat Noah comes at an especially appropriate time for South Floridians.

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Being a Tzadik

Being a Tzadik

Oct 27, 2006 By Matthew Berkowitz | Commentary | Noah

In his commentary on Parashat Noah, Rabbi Shmuel Avidor-HaCohen, z”l, raises an interesting question concerning the character of Noah and the quintessential prayer said at the heart of every service, the Amidah.

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Daydreaming Out the Window

Daydreaming Out the Window

Oct 17, 2012 By Abigail Treu | Commentary | Noah

The ark’s window bothered the Rabbis. It is a technical problem: in Genesis 8:6, Noah “opened the window (chalon) of the ark that he had made,” but in the very thorough account of the construction of the ark earlier in the parashah, no window was ever made. “What window?” the Rabbis wonder. 

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Before the Deluge

Before the Deluge

Oct 16, 2015 By Marc Gary | Commentary | Noah

Parashat Noah raises difficult questions about the relationships between the natural world, humanity’s morality, and God’s justice.

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Why the Jews?

Why the Jews?

Oct 21, 2007 By Arnold M. Eisen | Commentary | Noah

Why did the Creator of all humanity decide upon the surprising step of establishing a special relationship with one small segment of humanity?

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And Now, You Pray?

And Now, You Pray?

Oct 21, 2014 By Michael R. Boino | Commentary | Noah

“And Now, You Pray?” explores both human and Divine responsibility in Parashat Noah. The piece utilizes several sources that explore voices of protest or requests for help, both those which are voiced as well as those suppressed or ignored.

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The Dove

The Dove

Oct 16, 2015 By Daniel Heschel Silberbusch | Commentary | Noah

This is part of a larger painting/collage that in turn is part of a children’s book I am making inspired by “Had Gadya,” the song we sing at the Pesah Seder’s conclusion. The piece this paper cut-out comes from interprets the song’s final verse “And God came and killed the angel of death.” The verse presents an obvious challenge to a Jewish artist reluctant to “portraitize” God. It also echoes this week’s parashah: God steps in after destruction and promises an end to such destruction (Gen. 8:10-22). Perhaps for this reason I gravitated toward recycling this image.

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