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THE JAKOB SCHÖNBERG COLLECTION

AT THE LIBRARY OF THE JEWISH THEOLOGICAL SEMINARY
Catalogued, arranged and described by ELIOTT KAHN, D.M.A.,
August 2003

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COLLECTION DESCRIPTION
BIOGRAPHICAL NOTE
FOLDER LIST


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Pamphlet. Contains quotations from reviews, and lists of compositions and publications. London[?], ca. 1940. (SHF 719:4)

COLLECTION DESCRIPTION

The Jakob Schönberg Collection at the Library of the Jewish Theological Seminary consists primarily of the manuscript musical scores of composer and music theorist Jakob Schönberg (1900-1956), ca. 1923-1950. In addition, there are copies of his two published books, Die traditionellen Gesänge des Israelitischen Gottesdienstes in Deutschland, 1926, and Shire Erets Yisrael, 1935, as well as one folder containing manuscript essays, correspondence and published and unpublished biographical materials — many of them photocopied, ca. 1936-1966.

Note: All the musical scores and published books may be accessed through the JTS Library Catalog (Search under "Schönberg, Jakob" or title.)

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Holograph score. Sinfonia Concertante / Jakob Schönberg. New York[?], ca. 1950. (M1042.S38S56)

BIOGRAPHICAL NOTE

Jakob Schönberg was born in Fürth, Bavaria on September 8, 1900. His father, David Schönberg, was chazzan (cantor) at the Claus-synagoge in Fürth. Schönberg's father recognized the boy's musical gifts early on and Jakob began piano lessons at the age of five. He attended the Israelitische Realschule in Fürth from 1906 to 1916, the Oberealschule in Nürnberg, from 1916 to 1919, and received further education at both the Technical High School in Darmstadt and the University of Berlin, n.d.. Jakob Schönberg received his doctorate from the University of Erlangen in 1925. His dissertation, Die traditionellen Gesänge des Israelitischen Gottesdienstes in Deutschland (Traditional Songs of the Jewish Liturgical Service in Germany) received the highest grade. It was published the following year by Spandel Verlag of Nürnberg. The book analyzes the melodies found in Abraham Baer's cantorial anthology, Baal T'fillah, 1877.

 Schönberg apparently earned his living during Germany's Weimar Republic (1919-1933) as a pianist, music critic, conductor and composer. He wrote articles for the Nürnberger Zeitung and served as a musical consultant for Bavarian Radio in Munich. Bavarian Radio performed some of his orchestral compositions. He also worked in films as a "musical conductor and illustrator" and some of his film music was published by Schott's Söhne, Mainz, and Hawkes and Son, London. Schönberg was interested in composing instrumental music — especially orchestral. His first orchestral work, Prelude Symphonique, premiered in 1923.

Although some music critics detected a hint of "Oriental" flavor in Schönberg's earlier works, his style of composition took a decidedly Jewish turn after the Nazis took power in 1933, and Jewish musicians could no longer be employed by Germany's state-supported cultural institutions. In 1934 Schönberg transcribed the folk songs and dance tunes of several halutzim (pioneers) visiting Germany from Palestine. The following year he published Shire Erets Yisrael (Songs of the Land of Israel), an anthology containing 230 Hebrew songs (Berlin: Jüdischer Verlag, 1935). From this time until, at least, when he left Germany, these Israeli melodies would figure prominently in Schönberg's work. He set several of them for voice with piano and voice with flute and viola. His Suite für Orchester, 3 Sätze utilizes a Horra melody from the anthology. Schönberg's orchestral Horras appear to have been extremely popular in Nazi Germany, and were performed numerous times by the Jüdischer Kulturbünde between 1936 and 1938, in both Berlin and Frankfurt-am-Main

Jakob Schönberg emigrated to England in August 1939. There is little information in the collection about his years there. He came to New York City in January 1948. His setting of the Sabbath prayer V'shomru was premiered by Cantor David Putterman and the Park Avenue Synagogue Choir in May of that year. The Hora movement from his Chassidic Suite for piano, 1937, was performed at Carnegie Hall by pianist Ray Lev in November 1948.

Schönberg revised several of his pieces during his final years in New York. Although there is a list of his compositions within a promotional pamphlet, ca. 1940, a chronology of all his works is difficult because of a scarcity of information. He taught at New York's Trinity School and then was engaged to teach a number of musical subjects at The Carnegie School of Music in Englewood, New Jersey. Jakob Schönberg succumbed to a brain tumor on May 1, 1956. He was survived by his wife, Fanny, and his sister, Mrs. [?] Fraenkel of Berlin.

Note: biographical information comes from The Jakob Schönberg Collection, and from the following published sources:

Krause, Gerhard. "Jakob Schönberg in Memoriam… ." Israelitische Kultusgemeinde, Fürth (September 1966).

Landau, Annaliese. "Jewish Music and Jewish Composers in the Diaspora, 1. Germany, Jakob Schoenberg." Musica Hebraica 1-2, Jerusalem (1938).

Rothmüller, Aron Marko. The Music of the Jews. South Brunswick, N.J., New York: Thomas Yoseloff, 1967.

Saleski, Gdal. Famous Musicians of Jewish Origin. New York: Bloch Publ. Co., 1949.

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FOLDER LIST

Folder 1 contains all of the archival material of The Jakob Schönberg Collection. It is stored in one of the two flat boxes in the rare book room that contain Schönberg's musical scores. The location number is: SHF 719:4.

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