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A Taste of Torah: Weekly Commentary from the JTS Community

Parashat Ki Tavo 5764
Deuteronomy 26:1–29:8
September 4, 2004    18 Elul 5764

This week's commentary was written by Rabbi Matthew Berkowitz, Senior Rabbinic Fellow

Judaism tantalizes the senses with the sights, sounds and fragrant smells that characterize its observance. Rosh Hashanah is certainly one of those times when we are overwhelmed by the richness of Jewish symbolism. At the heart of our New Year observances, however, lies the piercing cry of the shofar. What is the meaning of the shofar? Many explanations have been offered to explain why we blow the shofar during the month of Elul into Rosh Hashanah, and at the close of Yom Kippur. Included in these interpretations are the following: it signifies creation, specifically of the beginning of God's kingship, it is meant to remind us to hearken to the blasts echoing from God's revelation at Sinai, it links us to the binding of Isaac since the shofar is a symbol for the ram caught in the thicket by its horns that ultimately is offered to God in place of Isaac; and, that the sharp sound of the shofar is to be understood to be a call to teshuvah, repentance. The latter interpretation connects the shofar with a wake up call to each and every one of us. In reading a magnificent book entitled Symbols of Judaism, I was further inspired by the commentary of Rabbi Marc-Alain Ouaknin in his philosophical explanation of the call of the shofar when he writes, "the prohibition of representation or definition is sounded by the notes of the shofar" (64). What does Ouaknin mean by this?

At the core of Parashat Ki Tavo, are the dramatic curses and blessings. Most notable, in this respect, is the phraseology of the opening curse, which reads, "cursed be anyone who makes a sculptured or molten image, abhorred by the Lord, a craftsman's handiwork, and sets it up in secret" (Deuteronomy 27:15). Not surprisingly, this curse reminds us of the Torah's fervor in its condemnation of idolatry — which is found in particular, at the beginning of the "Ten Utterances." As Ouaknin points out however, "there are no idols, only idolaters." More than the fear of immutable idols, is the Torah's fear of immutable people. Elul and Rosh Hashanah give us the annual opportunity to shatter the idolatrous images we have adopted over the course of the past year. We have become hardened and the challenge is to break the mold — to become more human and to become more ourselves.

It is for this reason, I believe, that we are granted the gift of multiple calls of the shofar. Tekiah means that which is rooted; shevarim means that which is broken; and teruah refers to an image of shaking. As we enter the Yamim Noraim, the Days of Awe, we are as the tekiah call of the shofar — fixed and rooted, hardened by our routines. Elul presents us with the challenge of becoming shevarim, of examining and critiquing ourselves so that we can break ourselves, indeed, be able to shake ourselves out of a spiritual malaise. And, we close with a tekiah gedolah, a great, long sound representing the rebirth of the self. By the end of Yom Kippur, with the help of God, we have managed to build ourselves up again, to a new and passionate whole.

Perhaps, this is the meaning of Rashi's commentary on Deuteronomy 26:16. The verse states, "The Lord your God commands you this day to observe these laws and rules; observe them faithfully with all your heart and soul." Rashi, the prolific medieval commentator writes, "the meaning of this verse is that every day should be fresh in your eyes as if the Torah were commanded to you on this day." To approach Judaism with a fresh set of eyes and renewed sense of purpose is ultimately the goal of this period of repentance. May we each strive for such renewal and emerge from the heightened sanctity of Rosh Hashanah and Yom Kippur — each of us as a tekiah gedolah.

With wishes for a good week and Shabbat shalom,

Rabbi Matt Berkowitz


The publication and distribution of the Taste of Torah commentary has been made possible by a generous gift from Sam and Marilee Susi.